Golden garuda-shaped chofah (light tassel), the decorative temple roof trim, against a blue sky.

The chofah ("light tassel") is a common element in most temples throughout Thailand and the neighbouring region.

Last October, we were heading off on a much-anticipated short trip to Thailand’s North. Ask any Thai about the northern cities of Chiang Rai and Chiang Mai, and they will tell you that they are: “very beautiful! There are many temples.” A non-Thai friend of ours in Bangkok asked what we would see at our first stop: Chiang Rai. “Temples!” I replied with a wink, knowing the groan that my comment would be met with.

A lot of non-Thais, even those who have lived in the country a long time, think that temples are all the same. They are not.

Of course, temples, which essentially comprise a collection of buildings for religious ceremonies, study and worship, have common elements. But, as with anything else, the more you look, the more you notice.

We had plenty of opportunity to notice the small – and larger – differences between temples as we walked around Chiang Rai, visiting five complexes on foot, and another by car (Wat Rong Khun, which I’ve talked about before), essentially in the space of a day. This little provincial city has the odd church and mosque as well, but it is the Buddhist temples on every corner that stand out.

Our first stop was at the 750-year-old Wat Ming Muang. During the reign of King Mengrai The Great when the temple was constructed, there was a significant Burmese (Shan/Tai Yai) population in this area – hence the Burmese influence in the architecture and sculptures.

White and yellow chedi, white stone elephants in front, small buddha in an alcove

Every temple has a chedi (stupa or pagoda) which houses relics from the Buddha. This one, at Wat Ming Muang, features classic white elephants.

Seated Burmese-style white-stone buddha image in an alcove.

Burmese-style Buddha image ~ Wat Ming Muang

Like any temple, especially an old one, Wat Ming Muang (The Auspicious Temple of the City) is continually expanding and undergoing renovation. I find it fascinating to watch how the back-bones of the elements are constructed, before they become the ornately finished products we are used to seeing.

Large concrete elephant head with a jewelled naga-like crown and a green glass eye.

This finely-detailed elephant head with its jewelled naga-like crown is one of a pair, adorning the new stairway.

Relief carving of a small kneeling elephant on a fresh cement column.

The new cement columns at Wat Ming Muang feature a different style of elephant.

Our second stop was at Wat Phra Kaew (Temple of the Emerald Buddha), which was named for the the green gemstone (jade rather than emerald) buddha image which was found there when lightning struck the chedi and cracked it open in 1434. That Emerald Buddha is now in the Grand Palace in Bangkok where, amid great ceremony, the King changes it’s golden coat three times a year to mark the formal change of seasons.

Green jadeite seated buddha image in ornate gold traditional Thai dress.

The replacement buddha ~ Wat Phra Kaew

The replacement Chiang Rai Buddha is not an exact copy, but a ‘replica’ commissioned in 1991 to honor the Princess Mother’s 90th birthday. It was carved in Beijing from Canadian jadeite donated by a rich Chinese businessman.

3/4 view: Jade Buddha Head in ornate gold Thai head-dress. ~ Wat Phra Kaew

Jade Buddha Head ~ Wat Phra Kaew

Crowded outdoor altar area with incense and candles in front of a seated gold Phra Sangkajai image.

Altar in the grounds of Wat Phra Kaew, dedicated to Phra Sangkajai (Maha Katyayana), one of the "Ten Disciples of the Buddha".

Seated gold buddha on a raised platform.

Classic gold Buddha under natural and artificial light, flanked by "Tung Kradang"; banners carved with religious stories and commissioned as offerings to the Lord Buddha. ~ Wat Phra Kaew

Portrait: Creamy stone carved Burmese buddha with painted hair and lips.

Burmese Buddha ~ Wat Phra Kaew Museum

Head and shoulders of an olive green stone bodhisattva, thai style, against window light.

Light from the carved teak window balusters in the Wat Phra Kaew Museum fall on a Bodhisattva.

Many small, old buddha images in a glass case, with reflected light through balustraded windows.

Tiers of old carved Buddha images ~ Wat Phra Kaew Museum

White stone carving of Ganesha

Ganesha, Remover of Obstacles ~ Wat Phra Kaew Museum

White jade carving of the laughing buddha seated on a Chines dragon

Budai, the "Laughing Buddha", rides a Chinese dragon ~ Wat Phra Kaew Museum.

Novice youths at a large teak desk: Wat Phra Kaew Museum.

In the reading corner, two "nehn", or novice monks, take time out.

From Wat Phra Kaew, it was a short walk to our lodgings, via two more local temples: Wat Phra Singh and Wat Klang Wiang.

Golden seated buddha image against a red and gold background.

Buddha ~ Wat Phra Singh

 Theravada monk in red-brown robes, seated on stone steps.

Visiting monk. His red-ink tattoos are common among Burmese (Shan / Tai) men. The designs are stamped before being tattooed, and last about five years, protecting the wearer against evil spirits, bringing strength, and resisting and curing diseases.

Red signpost in temple grounds: "No Killing Area"

It's always good to know you are in a "No Killing Area"! Wat Klang Wiang

Four Theravada novices in the grounds of a temple.

Afternoon clean-up duty ~ Wat Klang Wiang

The next morning, after our trip by car to The White Temple (Wat Rong Khun), we visited Wat Phra That Doi Chom Thong. The ancient sacred stone representing the city pillar; the “navel” or centre of the city; was moved here in 1992. Unlike most Thai cities, which house their city pillars, their Lak Mueang, in a shrine, Chiang Rai displays its pillar in an open area. I leave it to you – but I don’t think they look like navels!

City pillars, on a stepped circular cement expanse.

Sadu Mueang, the Navel or Omphalos of the City, Doi Chom Thong, Chiang Rai

City pillars festooned with coloured nylon cloth, Chiang Rai

Yup. "Navals." Indeed.

Figurines of elephants and horses; Thai shrine.

Small figures of elephants and horses are common elements in Thai shrines. Wat Phrathat Doi Jom Thong

Crowd of buddha images against a blue and black painted back-drop.

More Buddhas - different Buddhas. Wat Phrathat Doi Jom Thong

Thai people lighting candles and incense for Buddha offerings.

Whatever the religious image, Thais are always ready to "pay their respects" and to pray. Wat Phrathat Doi Jom Thong

Yes, there is a temple on every corner in Chiang Rai, and they are all lovely.

To my mind, at least, they are also all very different!

Photos: 28-29 October 2011.

  • Signe Westerberg - February 13, 2012 - 5:20 am

    I love the artwork/carvings in these temples… similar yet unique and of course they have elephants – a favorite of mine.ReplyCancel

    • Ursula - February 13, 2012 - 5:23 am

      Welcome back! Yes, we too love the elephants. 🙂ReplyCancel

  • dietmut - February 14, 2012 - 5:36 pm

    Ursula, ich liebe diese Serie mit den Buddhas und Elefanten.
    Auch geben die Fotos die sfeer wieder, Grüsse DietmutReplyCancel

    • Ursula - February 15, 2012 - 9:56 am

      Thanks, Dietmut. I’m so glad you liked the post. Herzlichen Glückwunsch!ReplyCancel

  • dietmut - February 14, 2012 - 5:38 pm

    Ursula, ich liebe diese Serie. Schön die Tempel, Buddhas en elefanten en natürlich geben auch die anderen Fotos eine besondere Stimmung wieder. Grüsse DietmutReplyCancel


Two small garlands of jasmine and Magnolia champaca

Fragrant jasmine and champaca garlands

Asian markets are such a wonderful miscellany of contrasting colours, smells, sights and sounds – and nowhere is this more true than in Cambodia’s second largest city of Battambang. Dark corners hide from both the distorting light emitted by flickering fluorescent tubes overhead and the burning glare of sunlight streaming in through openings in the walls. Khmer stall-keepers sit on trestle tables, the epitome of a calm and quiet self-containment that is at complete variance with the loud, cheerfully coloured shirts they wear and the buzz of movement around them. I was there in June, when outdoor temperatures average highs of 33C (91F). Somehow, vegetables and poultry products managed to look crisp and fresh in spite of being displayed in an open alley-way in wilting heat, and the fruit looked wholesome and cool, regardless of being hand-cut and on offer in the most unlikely of places.

Khmer woman in a straw hat selling cut fruit as another woman looks on.

In a dark space between the pants for sale, a fruit seller dishes up a portion...

Cambodian woman in a straw hat with a fruit platter on her head.

... while another fruit vendor plies her trade in the fabric "aisle".

Woman squatting in a Khmer market selling fresh eggs.

The "produce section" is outdoors in the searing sun.

Banana flowers, ginger and lotus stems around a concrete pillar

Fresh produce: banana flowers, ginger and lotus stems

Freshly plucked duck on a plate in a Khmer market

The poultry section...

Markets are a photographic challenge for me because of the wild variances in light and the abundance of potential photographic subjects. My big decisions are always about coping with the jumbled cacophony of images and deciding what to leave out. Karl Grobl, who with Gavin GoughMarco Ryan and Matt Brandon was leading our photo-tour, reminded me about using slow shutter speeds to get a feeling of movement, and I spend part of my morning leaning on a pole for stability, before wandering off to explore the space and finding my “subject”: a quiet garland maker in the middle of a busy cross-roads.

Scene: Busy meat market in Cambodia: sellers sitting on tables, shoppers passing

Colour, Bustle and Chaos: Battambang Market (ISO 1600, 70 mm, f /5.0, 1/30 sec)

Woman in yellow head-scarf cutting a leg of meat in a Cambodian market.

Meat on the hoof in the Battambang market.

Portrait: Cambodian woman smiling next to hanging meat.

Always the ready smile

Portrait: Smiling Khmer woman in a bright pink shirt.

Smiles for the stranger.

Busy Battambang market scene, with a woman buying garlands from a flower seller.

Jasmine garlands amidst the food and haste (ISO 1600, 20 mm, f /11, 1/15 sec)

Portrait: Khmer woman in a red hat behind jasmine garlands

The garland-maker

Portrait: profile of a khmer woman in a red hat making jasmine garlands

Quietly watchful as she works.

Close-up: Woman

Busy hands at work

Jasmine garlands hanging and woman

Labour-intensive garlands

Rich-smelling jasmine garlands are everywhere in Asia. Whether hung as protective talismans in vehicles or laid at public or private altars, they are made, sold and given as offerings to the local deities. (For more about their use, check out a delightful article from Vivienne Khoo: “Cancer and the Queen.”) Selling for pennies, they are labour-intensive to make, even by skilled hands; I love watching as workers use needles or bamboo skewers to thread jasmine, symbol of promise and purity, and assorted other flowers, in this case the wonderfully fragrant Magnolia champaca, onto threads made from banana leaf or cotton to make wreaths of all shapes and sizes.

This little corner was a welcome respite of scented calm right in the middle of the busy meat market, and I was very appreciative of the garland seller’s willingness to have me hang around and watch over her shoulder while she worked.

Magnolia champaca

A relative of the ylang ylang, richly fragrant champak sits on banana leaves, Battambang Market.

Text: Happy TravelsA timely reminder: no matter how busy a place is, it is always possible to stop and smell the roses – or jasmine and magnolia, as the case may be.

Happy travels!

Photos: 23 July 2011

 

  • Lisa Brockman - February 4, 2012 - 2:26 pm

    Lovely!ReplyCancel

  • dietmut - February 11, 2012 - 11:22 am

    geweldig je serie over Cambodia, greetings, DietmutReplyCancel

  • Elliot Margolies - October 1, 2013 - 2:47 pm

    very well written and photographed. you really capture the feeling and provide great descriptions. I just can’t understand how folks can wear long sleeves etc in the wilting heat.

    Best,
    ElliotReplyCancel

    • Ursula - October 2, 2013 - 12:57 am

      Thanks, Elliot – much appreciated!
      Yes, the sleeves in the heat always amazes me too. And, they stay cool as cucumbers while I drip with sweat! 🙂ReplyCancel

  • […] for Lunch, Cambodia), others specialise in flowers (e.g. Pyin Oo Lwin Flower Markets, Myanmar; Fragrant Flowers … Battambang Market, Cambodia). You can buy talismans (e.g. Golden Treasures of the Old City ~ Bangkok) or money: shaped into […]ReplyCancel

Aerial view: green sea waters, long white beach, dark blue estuary, blue-green hills and a blue sky.

Looking across Aislings Beach and Lake Curalo to the Great Dividing Range, NSW

Nothing can beat a scenic flight over interesting terrain on a clear, sunny day.

We knew we were in for a treat when the skies over our patch of the Australian coast turned pink on the eve of a coastal flight we had booked in a small aircraft. For it is generally true that a red sky at night, with the setting sun sending its rays into a stable high pressure system from the west, indicates good weather is on the way.

And it was indeed a perfect day for flying.

We met our Piper Cherokee Six – and its owner, veteran pilot, Andy – at the small coastal airport of Merimbula. Once we’d had our safety briefing and strapped on our life jackets, we were up and away; off on one of Merimbula Air Services‘ “Gabo Island Adventures”.

Two small propellor planes parked on grass; wind vane with low wind.

Our Piper Cherokee awaits.

Close-up of the controls of a Piper Cherokee 6

It's all under control.

Aerial view: Eden Wharf

Our regular lunch spot on Eden Wharf looks so different from the air!

Aerial view: white waters crashing onto red cliffs.

The Tasman Sea crashes onto the red bluffs of the aptly named Disaster Bay, NSW. The City of Sydney (1853-1862) was the first of many ships to be lost in the strong seas common in this area.

Aerial view of the blue waters of the Tasman Sea, and the white sands and green forests of Nadgee Nature Reserve.

The sand dunes and forests of Nadgee Nature Reserve straddle the border between New South Wales and VIctoria, and mark the end of the Bass Strait and the start of the Tasman Sea.

Aerial view: Gabo Island from the south west.

Gabo Island, with its lighthouse and grass landing-strip, comes into range.

Homestead and lighthouse, circa 1800s, against a blue Australian sky.

The Gabo Lighthouse keeps watch over the ships and the weather on the Tasman Sea.

The first lighthouse was started on the current site in 1847, but the project quickly ran out of money and was abandoned until after the loss 30 lives in 1853, when the steamship Monumental City was wrecked on nearby Tullaberga Island. The current tower is Australia’s second tallest: 47 metres high and 55 meters above sea level. The lighthouse and surrounding fences and are built from beautiful red porphyritic granite quarried on the island itself. Buttresses were added to the fences following a freak wave in 1895 which washed over the island, damaging property.

Close-up of grass tussocks against a red granite wall.

Grass tussocks huddle in the lee of the buttressed red granite wall.

The island used to house three families: two light-keepers and a weather technician, but of course modern times demand less people-power. Today, there is always a live-in “caretaker”, and one of the other homes is available to recreational visitors or scientists who come to conduct studies. At the moment, two young scientists are in residence: one studying the feral rats who have come on to the island from ships, and the other studying the 30,000 strong colony of Little Penguins who come ashore to burrow every night.

Ship

Lighthouse-keeper's house: now the caretakers' accommodation and museum.

Young woman in a cap sits in the sun behind a white stone wall and picket gate.

Scientist in Residence

Man

Two-hundred and forty steps, all constructed in Manchester, England, lead up to the light.

Scene: view down over three homesteads on flat land; mountains and blue skies in the distance.

Caretaker's accommodation from the top of the lighthouse.

Pied cormorants on a red granite island washed with white water.

Little Gabo Island hosts numerous pied cormorants.

Three children, looking very small, running across an expanse of red granite.

Three visiting children, looking very small from the top of the lighthouse, race across the granite.

Close-up: old nuts and bolts on an old turned timber post.

Exhibits in the old smithy.

Man in a white shirt and tinted glasses sitting at a busy desk.

Our pilot Andy sits at ease in the weather station as he talks about the island history.

Close-up: yellow fungus on corrugated roofing.

Looks good, but don't touch! Yellow fungus on old asbestos roofing.

The island has its share of sad stories. As I said earlier, the lighthouse wasn’t completed until 30 lives were lost to a ship wreck in 1853. The governments of the neighbouring states later erected a monument in memorial. Up an overgrown, road there is a small cemetery with three headstone: for two infants who died in 1861, possibly from a contagious illness, and for a young woman who died later the same year in childbirth. As recently as 1929, a lighthouse-keeper’s wife died as a consequence of a fall when medical attention couldn’t be accessed promptly due to rough seas.

Stone memorial to the thirty people lost at sea when the ship: Monumental City foundered in 1853.

Memorial to those lost at sea in 1853 when the "Monumental City" went down.

Close-up: Unripe blackberries

Blackberries ~ almost in season.

Close-up: corner of an old rail tie against white sand.

Rail ties on the disused road to the old quarry.

Bicycle on a sandy path, next to some scientific equipment.

Evidence of life: A bicycle and some sort of scientific paraphernalia sit at the side of the path.

Metal gate, an style and an electrified fence on the edge of a grassy field.

Cows keep the island grass under control.

Pile of quarried granite in front of a blue cove.

The old quarry and the impossibly-blue Santa Barbara Bay.

Rough pile of pink Gabo granite against green grass and blue sky.

A pile of Gabo granite at the abandoned quarry. In the past, the granite was used in a number of Australian public buildings.

Rounded boulders of granite at a blue shoreline.

Rubbed smooth by wave action, the pink granite sits in the sapphire waters of the bay.

Scene: a speed boat sits in a turquoise waters in a sandy bay.

Santa Barbara Bay is a popular destination for Victorians coming from the mainland to picnic, swim and snorkel.

A Cherokee 6 on a grass runway, an empty wind sock behind.

Time to return home ~ our Cherokee awaits.

Aerial view: Turquoise waters between an island and a sand bar.

Turquoise waters mark the 500 meter wide channel between Gabo Island and the mainland.

Aerial view: lake surrounded by green lands, ocean behind.

Pambula Lake is the last major sight before landing back at Merimbula Airport.

Mid-afternoon, we touched down gently back at Merimbula Airport. Merimbula Air Services call this trip: “A great day out!”, and indeed it was.

 

Photos: January 25, 2012

  • Signe Westerberg - January 31, 2012 - 7:24 am

    Such an amazing place, we didn’t do a flight however took one of the many cruises around the different bays and revelled in the history and marine life that surrounds Eden and the area generally. From the air it is quite magnificent!ReplyCancel

    • Ursula - February 3, 2012 - 3:02 am

      Hi, Signe,
      We haven’t had time to appreciate the area, really – haven’t even been to see Old Tom! But, one day at a time, right? xReplyCancel

  • dietmut - February 3, 2012 - 9:25 am

    wunderschöne Foto’s, ich wünsche Dir noch eine interessante Zeit in AustralienReplyCancel

    • Ursula - February 3, 2012 - 10:12 am

      Hi Dietmut,

      Nice to have your visit! I’m always glad to be able to understand a little German, even if I can’t speak it. 😉

      We will, indeed have an interesting time in Australia. It is a fascinating place and provides me with new challenge photographically!

      I see you have been in Hamburg recently: one of my favourite German cities.

      Viel Glück! 🙂ReplyCancel

  • Robert Hoglund - January 8, 2017 - 4:22 am

    Looking for any info on Gabo Island Lighthouse Keepers
    William Henry Owen and His Wife Christina Eleanor (Ellen)back in 1913 to 1918 especially any photos or history.

    Regards

    Robert Hoglund
    Donvale, VicReplyCancel

  • Style – Photos - November 18, 2018 - 5:17 pm

    […] For the backstory, please visit my PhotoBlog: https://www.ursulasweeklywanders.com/aviation/red-sky-at-night-sa… […]ReplyCancel

Split-toned close-up of an acoustic guitar being played

Jo Jo Smith’s Guitar

Summer in Australia’s “high country” is known for it’s clean crisp air, abundant wild flowers and various outdoor activities; it is possibly less well know for its music. But, during ski season there are plenty of live acts in the various pubs and chalets, and summers bring various festivals, including an Irish Cultural Festival and a Jazz Party.

The highlight of the musical calendar is the three-day Thredbo Blues Festival every January which, according to its own publicity, is: “renowned as a boutique style event due to its very personal venues including restaurant gigs complimented by great food and wine.” Last weekend was our first experience of this festival which has been running for 18 years now, and we DID enjoy the great food and wine, as well as a terrific lineup of mostly-Australian blues performers.

“Personal venues” can be translated as small restaurants not designed for live music, making it imperative to book dinners early if you want a view of the performers unobstructed by walls, pillars or other diners. I don’t have enough of an “ear” to comment on the sound quality in these venues, but certainly found the chattering of other patrons annoying some times – and downright disruptive at others.

On the first evening, we stopped in for sets at a pub and a lounge before heading off to dinner at The Knickerbocker for what proved to be one of the highlights of our weekend in terms of food and service, and with respect to the entertainment: Hat Fitz and Cara Robinson.

Bearded male in a felt cowboy hat playing a steel guitar.

Hat Fitz, the epitome of pre-war hill-country and delta blues, on his steel guitar.

Steel guitar in low light,

Hat’s National Steel Guitar

I saw Hat Fitz perform many years ago at the Byron Bay Blues and Roots Festival, and thoroughly enjoyed his show. The addition of Cara Robinson, multi-instumentalist and powerhouse singer from Ireland, turns his already-good performance into magic. There were a couple of times we had goosebumps as Cara’s voice ranged freely across the scale and held notes effortlessly.

(You can click or double-click the audio link below for a studio version of their performance of Wiley Ways.)

Portrait: Male Delta Blues singer on steel guitar, blond female behind, on percussion

Hat Fitz on guitar with Cara Robinson on percussion.

Portrait, Blond female on a whistle, bearded male on guitar

Cara Robinson on one of her wind instruments.

Portrait: Blond female smiling from behind microphones and instruments.

When Irish eyes are smiling…

Night portrait: man in shaded glasses playing a harmonica.

Robert Susz, a ubiquitous presence on the live Australian music scene, pops in to play harmonica.

We knew it would be a hard act to follow, so while the different versions of the blues continued in pubs around Thredbo Village, we toddled home to our lodgings for a fresh start at the outdoor performances the next day.

Male in a hat on electric guitar

Marco Goldsmith fronts the seven-piece rhythm & blues Blue Heat.

Portrait: Grey-haired man on harmonica and man on electric guitar.

Robert Susz and Dave Brewer from the Mighty Reapers

Close-cropped portrait: gray haired man in black-rimmed glasses on harmonica.

Robert Susz on his harmonica.

Hands on a red Stage keyboard

Clayton Doley plays keyboard for the Mighty Reapers

Smiling man on keyboard, bass guitarist behind.

Clayton Doley on keyboard and Vito Portolesi on bass for the Mighty Reapers.

Group of people talking ~ most wearing hats

Many hats in the audience.

Two woman performing outside Thredbo

Performing jazz, blues and boogie-woogie, the “Wild Women” Lisa Otey and Diane van Deurzen in the sunny Village Square.

Outdoor performance: Kevin Borich Band

The Kevin Borich Band rocks out.

It’s still Rock and Roll: Kevin and his National Steel

Bearded man in a small blue pool

Cooling off ~ Hat Fitz hatless

Portrait: Man in jacket and cap playing guitar

Virtuoso Australian guitarist Jeff Lang

Close-up: man playing a black Airline guitar.

Shiny bits: Jeff Lang’s 1960s Black Airline

Closeup: back of a women

More Hats in the Audience

Close-up: male hand on a sound board

Sound Check

Portrait: Young man in yellow cap putting up a large umbrella.

The staff race to put up umbrellas…

Feet in Rain

… but the rains over-take us – as they do at all good music festivals!

Male sitting with an acoustic guitar.

Inside the Black Bear with Steve Grieve …

Portrait of a female performer with an acoustic guitar

… and Jo Jo Smith.

When the rains came, we ducked into The Black Bear for an early dinner, and rode out the evening on the songs of Jo Jo Smith accompanied by Steve Grieve, before returning home humming and smiling.

Wishing you a week full of song!

Text: Keep smiling

Wooden boardwalk through tea trees.

Boardwalk (03 Jan 2010)

Australia, when it is not being buffetted by typhoons, razed by bushfires, innundated by floods or ravaged by droughts, is blessed with a wonderful climate where sunny clear-blue skies predominate even in winter: truly a Lucky Country.

A couple of years ago, in preparation for our re-patriation from Asia, we bought a small house on the southeastern coast of Australia – our little patch of the Lucky Country – where we intend to retire.

The town is aptly named Eden.

Almost surounded by the eponymous Twofold Bay, this working fishing village and popular holiday resort boasts a safe deepwater habour for recreational and working boats at its heart, beautiful swimming and surf beaches within its boundaries and National Parks all around. It truly is a little paradise!

More about all of that some other time.

Our neighbourhood sits on an estuary, a salt-water inlet, where we can join others in walking running or cycling on the elevated Allan Gibson boardwalk, running through the tea trees. This is our little slice of paradise.

Landscape: Palm leaves, green grass, misty lake and low hills in the backgrounds.

Morning mists on Lake Curolo (05 Nov 2011)

Close-up: Predominantly green rainbow lorikeet sitting on a branch

Rainbow Lorikeet over the Estuary (04 Oct 2011)

Six Little Pied Cormorants on a log surrounded by water.

Little Pied Cormorants (02 Jan 2010)

Water landscape: Several adult swans and cygnets on a grey water.

Black Swans and Cygnets (04 Jan 2012)

White Faced Heron in water and red and green shrubbery

White Faced Heron (02 Jan 2012)

It will take us some time to be able to identify the bird- and plant-life along the boardwalk; every time we run or walk along it there are different lights and colours.

Orange six-petal Flowers against the green of Tea Trees

Orange Flowers against the Tea Trees (02 Jan 2012)

White bottle-brush with bee hovering

White bottle-brush (06 Nov 2011)

Wooden elevated pathway curving into tea trees.

The boardwalk runs beside the estuary (Lake Curalo) and into the tea trees. (09Nov2011)

Blue Fairy Wren (female) on a wooden fence-post guard rail

Blue Fairy Wren (female) on a Guard Rail: Allan Gibson Boardwalk (02 Jan 2010)

Of course, we are not the only ones using the boardwalk, which links the estuary to a sporting ground, a camping site and the beach, and even when there are no people in view, they are in evidence. Weekends and holidays, it is busy with people cycling, running, fishing, walking or just sitting reading.

Turquoise and white canoe on green grass, next to tea trees

Boat on the Estuary (09 Nov 2011)

Scene: Sun on the water, a lone runner on the boardwalk

Lone runner on the boardwalk (06 Nov 2011)

Tuft of grasses in a salt water estuary.

Grasses in Lake Curalo (06 Nov 2011)

People cycling, reading and fishing on a curving elevated boardwalk

There is always a mixture of life on the boardwalk. (02 Jan 2012)

Man fishing in a colourful estuary

Fishing in Lake Curalo (31 Dec 2011)

Four black swans against a purple evening sky and water.

Black Swans at Nightfall (05 Nov 2011)

Text: Happy RamblingAlthough we have moved in, it will probably be some time before we really “retire”. Still, when it is so nice being at home, we might travel a little less.

Whether you are at home or away: Happy Rambling!

  • susan race - January 23, 2012 - 12:09 pm

    FabulousReplyCancel

    • Ursula - January 24, 2012 - 2:28 am

      Thanks, Susan! Not exactly the Matterhorn, but we like it. 😉ReplyCancel

  • Judy Phillips - March 16, 2012 - 11:54 pm

    I met you briefly at Coolem Q/land last September, we know Gabe through business and he gave me your card. I am thoroughly enjoying your photo’s and seeing your love of nature and travel expressed with joy through your photo’s. Keep up the great work.ReplyCancel

    • Ursula - March 17, 2012 - 12:14 am

      Hi Judy! I do remember you and your husband. 🙂

      And, I remember Coolum fondly (even did one post on it) and hoped we’d be back next year. Unfortunately, I don’t think we’ll make it.

      I’m so pleased you like the blog.

      Cheers!ReplyCancel

  • […] am also a bit lazy, and aside from regular morning walks on my boardwalk (See: A Little Slice of Paradise), I tend to not explore my neighbourhood as much as I should. So, I’m always glad when […]ReplyCancel