“Take me to the Light!”

It is Christmas Day here in Australia: –

A good time to reconnect with family and loved ones, even though some might be far away, or missing completely.

An ideal time to reflect on the possibilities of love and peace – although the world at the moment seems to be providing few examples.

A good time to count one’s blessings, and, regardless of the hardships we might be facing, to be thankful for those opportunities and things we do have.

It’s not such a good time for the latest WordPress update – which doesn’t seem to allow me to upload photos in the relatively simple manner of old…

So, this will be brief: an afternoon’s sojourn into the Great Northern Desert of Rajasthan, a place where the air crackles with heat and hope, where life is hard (Life in the Thar Desert) and the nights are magic (Music and Magic). A place where, in the late afternoon, watching some men and their camels on the crest of a sandy hill, you can contemplate the rugged beauty of the place, and feel an expansive quietness – even while taking hundreds of pictures.

I will share only a few.

Camels on a distant sandy Hill, Thar Desert, Rajasthan, Northern India

Camels on the Hill
After a short camel ride over the dunes, we come into sight of another group of camels on the hills.

Three men on camel back, Thar Desert, Rajasthan, India

Three

man on camel back, Thar Desert, Rajasthan, India

Here comes our Guide!

Camel in harness, Thar Desert, Rajasthan

That Look!

Camel in harness, Thar Desert, Rajasthan

Regal Creature

A Boy and his Camel, Rajasthan

A Boy and his Camel
Children start work young – even if it seems to be a labour of love.

two camels on Thar Desert sand, Rajasthan, India

Afternoon Light

Portrait of two camels, Thar Desert, Rajasthan India

Camel Portrait

Thar Desert, Rajastan, Northern India

Waves in the Dunes

Two camel drivers and camels resting, Thar Desert, Rajasthan, India

At Rest

Three men and two camels silhouetted in late afternoon orange light, Thar Desert, India

Camels on the Crest
Our local guide DV has a word to the camel drivers on the hill.

 man and camel silhouetted in late afternoon orange light, Thar Desert, India

Walking the Camel

Camel in the Sunset
One of the camel drivers canters across the sands against the lowering light.

Text: Peace. Picture: Camel and rider silhouetted against a Thar Desert sunset, Northeast India

Peace

Text: may the spirit of the season be with you There is great beauty in the desert.

Enough to make one pause, and give thanks.

 

Best wishes to you and yours!

‘Till next time

Pictures: 08November2013

  • Thomas Wall - December 25, 2014 - 10:04 pm

    Merry Christmas, Ursula. This week’s wanders is seasonal in a wonderful way, without snow, evergreens or feasting. It reflects one aspect of the multi – denominational or even the non – denominational nature of the date. I’m seeing caravans of camels snaking through the holy lands with exotic goods, beliefs and ideas; perhaps influencing a certain young, impressionable man, millenia ago. In my northrrn latitudes it the rebirth of the Sun that I celebrate. My Muslim, Punjabi, Christian and non-of-the-above friends all find reason to celebrate family, friends, prosperity and the promise of the end to the darkness at this time of year. Peace be with you!ReplyCancel

    • Ursula - December 26, 2014 - 12:16 am

      Merry Christmas, Thomas!
      So nice to “see” you here on line.
      I resisted including the photo I have of three wise women walking across the desert with metal pots on their heads. 😉
      Best wishes for the New Year.ReplyCancel

  • Dietmut Teijgeman-Hansen - December 30, 2014 - 8:25 pm

    I love the desert. I myself have also done in the Ra desert a tour on a camel. I wish you a great new year’s Eve and a healthy 2015 Ursula. Warm greetings DietmutReplyCancel

  • […] Walking the Camel…. a few of which I shared with you last some time ago (see: Camels in the Thar Desert). […]ReplyCancel

A pair of Rajasthani Gypsy Dancers, Manvar Desert Camp, Dechu, India

Rajasthani Gypsy Dancers
Flickering light from a small fire in the temperate desert night, the haunting sounds of Indian woodwinds and syncopated drums, swirling dresses and rising song: it is a gypsy performance under the stars – guaranteed to make you smile.

Cool sands underfoot. Starry, wide-open skies overhead. Firelight and music and drums.

There is magic in the desert air.

“Midnight at the oasis
Send your camel to bed
Shadows paintin’ our faces
Traces of romance in our heads…”

– Midnight at the Oasis by David Nichtern for Maria Muldaur

It was nighttime in the middle of the Thar Desert.

The Great Indian Thar Desert in northwestern India forms an expansive boundary with Pakistan. Also called the Marusthali, or “Land of the Dead” in Sanskrit, the region is none-the-less rich with its own unique life. My travel companions and I, with photographer Karl Grobl and local guide DV, had spent a fascinating day visiting with villagers in the heart of the arid, rolling dunes (see: Everyday Life in the Great Thar Desert), and were now reclined on chairs set deep into the sand.

Camels snorted in the shadows. The soft lamp-light from the tents in the background didn’t reach the low tables in front of us as we snacked on spicy nibbles we could barely see. Seated cross-legged on a concrete “performance space”, Rajasthani Kalbelia or Kabeliya men entertained us with the traditional music of the nomadic desert tribes: music played on the morchang, or jaw-harp; the sarangi, the most important stringed instrument in north-Indian folk music; the dufli or daf, a goat-skin tambourine; and various percussion instruments, including the dholak, or two-headed drum.

Rajasthani gypsy musicians, Manvar Desert Camp, Dechu, India

Rajasthani Gypsy Musicians
Seated on the concrete “performance space”, musicians entertain us with plaintive melodies and syncopated beats.

Portrait of male Rajasthani Gypsy Musicians, Manvar Desert Camp, Dechu, India

Rajasthani Gypsy Musicians

Portrait: Family of Kalbelia Dancers, Manvar Desert Camp, Dechu, India

Family of Kalbelia Dancers
“Back stage”, two Kalbelia gypsy dancers and their young brother pose for pictures.

In the darkness behind the musicians, the evening’s “main attractions” – two Kalbelia gypsy dancers – were getting ready for their performance. With their younger brother and apprentice musician, they paused for photos in the dark, before their entrance onto the stage.

I’ve written about Kalbeliya gypsy women before: they are “skilled dancers once hired to entertain kings and maharajahs, [but] are now reduced to struggling to preserve their culture.” “Untouchables” under the cast system, these proud, tribal desert nomads have had a recent boost from UNESCO, who in 2010 declared Kalbelia folk songs and dances part of its “List of Intangible Cultural Heritage in Need of Urgent Safeguarding”. Performances at places like the luxurious Manvar Desert Camp where we were being entertained, help support these artistic practices.

The songs and dances themselves are part of an oral tradition based on stories taken from folklore and mythology, and handed down through the generations. But neither the dances nor the songs are codified: the Kalbelia have a reputation for composing lyrics spontaneously and for creating improvisations between the dancers and the musicians.

A Kalbelia Dancer in a red gypsy dress and musicians, Manvar Desert Camp, Dechu, India

Kalbelia Dancer
The dancer weaves to the rhythm of the music – and the musicians follow her lead.

A Kalbelia Dancer in a red gypsy dress and  musicians, Manvar Desert Camp, Dechu, India

Gypsy Dancer
In a swirl of skirts, with feet flashing, the dancer twirls…

Two Kalbelia Dancers in ornate gypsy dresses and  musicians, Manvar Desert Camp, Dechu, India

Kalbelia Sisters
… before being joined “on stage” by her sister …

Two Kalbelia Dancers in ornate gypsy dresses and  musicians, Manvar Desert Camp, Dechu, India

Kalbelia Sisters
… and spinning together with her. The flowing skirts are known for their intricate embroidery with silver thread and small mirrors.

Fire at the foreground, Manvar Desert Camp, Dechu, India

Fire in the Foreground

Rajasthani gypsy musicians performing, Manvar Desert Camp, Dechu, India

Musicians Performing
A male performer, keeping time with his rhythm sticks, sways gracefully as he sings traditional songs of the Bhopas, the another nomadic tribe. His companions accompany him on a matka, an earthenware pot; and a morchang, the plaintive desert mouth-harp.

Gypsy woman performing a Backbend, Manvar Desert Camp, Dechu, India

Gypsy Backbend
Kalbeliyan dancing requires a balance between suppleness and strength. When the women come back, they demonstrate their flexibility. The younger sister performs backbends …

Close-up: Gypsy woman performing a Backbend, Manvar Desert Camp, Dechu, India

Collecting Money
… picking up money with her teeth.

Gypsy woman performing a Backbend, Manvar Desert Camp, Dechu, India

Gypsy Backbend
The elder sister goes one better …

Close-up: Gypsy woman performing a Backbend, Manvar Desert Camp, Dechu, India

Pick-up-Rings
… and picks up rings with her eyes.

Portrait of a Rajasthani gypsy Dancer

Portrait of a Dancer

Two Kalbelia Dancers in ornate gypsy dresses and musicians, Manvar Desert Camp, Dechu, India

Dancers Spinning
Hands twisting gracefully, skirts flying, the sisters circle and spin…

Two Kalbelia Dancers in ornate gypsy dresses and musicians, Manvar Desert Camp, Dechu, India

Dancers Spinning
… until they almost disappear.

Two Kalbelia Dancers in motion, Manvar Desert Camp, Dechu, India

Swirling Fabric

Dancer in Abstract

Dancer in Abstract

Abstract: Kalbelia Dancers in motion, Manvar Desert Camp, Dechu, India

Black Swirl

Abstract portrait: Kalbelia Dancers in ornate gypsy dresses and musician, Manvar Desert Camp, Dechu, India

A Dancer’s Smile

“… You don’t have to answer
There’s no need to speak
I’ll be your belly dancer, prancer
And you can be my sheik.”

Sign-Off-NamasteMusic and magic in the night.

Guaranteed to make you smile.

Namaste!

Pictures: 09November2013

  • Michael Clayton - December 19, 2014 - 3:50 am

    Thanks for sharing. Brings back some fun memories.ReplyCancel

    • Ursula - December 19, 2014 - 6:22 am

      Thanks for the visit, Michael. Happy Holidays!ReplyCancel

  • Dietmut - December 22, 2014 - 5:01 pm

    colourful show, very nice Ursula. Greetings and I wish you a very happy Christmas and a healthy 2015.ReplyCancel

  • […] crackles with heat and hope, where life is hard (Life in the Thar Desert) and the nights are magic (Music and Magic). A place where, in the late afternoon, watching some men and their camels on the crest of a sandy […]ReplyCancel

  • […] We headed back to our camp for a dinner and entertainment under the stars: the nights are filled with traditional gypsy folk music and dance (Celebrating Music and Motion). […]ReplyCancel

Temple on Taung Kalat as seen from the road below, Mount Popa, Myanmar

Temple on Taung Kalat – Pedestal Hill 
Popa Taung Kalat Monastery sits high on top of a volcanic plug in the Mount Popa National Park. Traditionally, the Mount Popa area is the most important home of the Nats – Burmese spirits.

Nats (နတ်‌), or spirits, have been a central part of Burmese life since time immemorial.

Nats are everywhere in Myanmar: they are in the trees, the wind, the stones and the waterways. They act as personal and village guardians, but can be troublesome if not properly propitiated. Every Burmese village has a shrine to curry favour with the local Nats; ritualised offerings are hung in houses; amulets are worn; and car rear-view mirrors are festooned with talismans to ward off mischief. Festivals to appease the major Nats are held regularly.

Part of a rich heritage of early animist religions in the Burmese countryside, Nat worship predates Buddhism. When King Anawrahta of Bagan (1044–1077) first introduced Buddhism into Myanmar, he tried to ban the worship of the old spirits. However, his attempts backfired, and Nat worship was simply driven underground. Clever enough to recognise his failure, he decided to incorporate a hierarchical pantheon of 37 Great Nats – also known as the Mahagiri Nats – into the local Buddhist practice. The chief of these Nats is Thagyamin Nat (the Indian god Indra, protector of royalty) and the others are ghosts or spirits of dead Burmese heroes, many of whom were killed prematurely. All of these principal Nats are known nation-wide. They have their own personalities and histories; many have their own ceremonies and festivals. Nats are not saints or angels. They have the same human characteristics and flaws as they had in life, and they are often angry or jealous of the living. So, while the Burmese might ask the Nats for good fortune, they are also concerned with appeasing them to avoid harm.

Mount Popa, a long-extinct solitary volcano standing out from the dry plains of Central Myanmar, has long been designated home of the Nats. Four kilometres from the main peak is one of Myanmar’s most sacred places: Taung Kalat (Pedestal Hill), an incredible magma plug rising straight up some 170 – 180 meters from the surrounding rock and jungle. The Popa Taung Kalat Temple, a Buddhist monastery and pilgrimage site, including shrines to all 37 Nats, perches precariously on the summit.

I was travelling in the Mount Popa National Park area with Photo-Tour Leader Karl Grobl and local guide Mr MM. We didn’t climb the 777 steps to the monastery – much as I would have liked to. According to sources (including: Wondermondo: Popa Taung Kalat and National Geographic Voices: Mount Popa), the temple and shrines are fascinating and the views are stunning…

What we did do, however, was equally fascinating: starting with a visit the Mahagiri Shrine at the foot of Mount Popa.

Front of the Mahagiri Shrine, Mount Popa, Myanmar

Mahagiri Shrine
Hawkers, with their baskets full of offerings for the spirits and snacks for the pilgrims, congregate out the front of the colourfully decorated Mahagiri Shrine – a temple at the base of Mount Popa dedicated to the 37 principal nats.

Young burmese girl with flower garlands, Mahagiri Shrine, Mount Popa, Myanmar

Flower Seller
Inside the Mahagiri Shrine, a young girl sells garlands, intended as offerings to the spirits.

Three mannequins dressed as Nats, Mahagiri Shrine, Mount Popa, Myanma

Three of the 37 Nats
King Anawrahta of Bagan designated an official pantheon of 37 Great Nats.

A mannequin hand with folded 200 and 50 kyat notes, Mahagiri Shrine, Mount Popa, Myanmar

Offering
Nats are very human in their desires: gifts to them include alcohol, cigarettes, goods, flowers, and money. Money they have blessed is considered especially lucky.

A woman and two Rhesus macaques on the Stoop of a Popa home, Myanmar

Locals on the Stoop
Rhesus macaques have run of the town of Popa.

Rhesus Macaque eating banana, Popa, Myanmar

Rhesus Macaque
Although very cute, the monkeys expect their share of “offerings”.

Rhesus Macaque, Mount Popa, Myanmar

Rhesus Macaque

A burmese man cleans a pool, Popa Taung Kalat in the background, Myanmar

Popa Mountain Resort
We lunched at a wonderful resort …

Saung  - Traditional Burmese Harp, Mount Popa, Myanmar

Playing the Saung
… with traditional burmese harp music …

View over the Temple at the Top of Mt Popa, Myanmar

Temple on Taung Kalat (Pedestal Hill)
… and amazing views of the Buddhist temple that perches on the top of the volcanic plug at the Southwest of Mount Popa.

Each of the 37 Great Nats was, in at least one of their previous incarnations, associated with members of the royal family; Nat worship therefore, affords commoners some protection against misfortune.

As we discovered in a nearby rural village, it does not, however, bring electricity or running water.

Burmese Children at the Window of a schoolhouse, Popa, Myanmar

Children at the Window
At a small school near Taung Kalat …

Burmese  Teacher Marking at the Window of a schoolhouse, Popa, Myanmar

Teacher Marking
… children study and teachers work without the benefit of electric lights or fans.

Burmese Child at the Window of a schoolhouse, Popa, Myanmar

Child at the Schoolhouse Window

Burmese Children in a dark rural Classroom, Popa, Myanmar

Kids in the Classroom

Cow in a thatched Barn, Popa, Myanmar

Cow in the Barn
In spite of the lack of modern conveniences, this rural village is neat and tidy.

Burmese Man in a longhi smoking on the Stoop of a house, Popa, Myanmar

Man on the Stoop
The community has received a recent injection of funding, and some of the buildings are quite new.

Burmese Woman in thatched Barn, Popa, Myanmar

Woman in the Barn
Workers always seem happy to take a moment out …

Hands Chopping Grass through a rusty machine, Popa, Myanmar

Chopping Grass
… from monotonous manual labour …

Burmese Woman in thatched Barn, Popa, Myanmar

A Burmese Smile
… to flash a brilliant smile for the camera.

Burmese man in a wool cap, Popa, Myanmar

Old Burmese Man
A community elder pauses to take stock of the visitors …

Burmese man in a wool cap, Popa, Myanmar

Old Man
… and to pose.

Baby Pigs in the Yard, Popa, Myanmar

Piglets in the Yard
A mainstay of any “rich” tropical community, pigs are the perfect grain-storage units in damp or rainy climates where grains grow mouldy quickly after harvest.

Burmese Village Child, Popa, Myanmar

Young Girl
Not all the children are in school –

Burmese Village Children, Popa, Myanmar

Village Children
– and those running loose in the dirt are happy to have their pictures taken.

Burmese Village boy in a torn t-shirt, Popa, Myanmar

Young Boy

Burmese woman walking away on a dirt path  with water buckets on a yoke, Popa, Myanmar

On the Dirt Path
A woman from the village carries laden water buckets home in the afternoon light.

Although some people say that Nat worship is dying out, this is more true in the developed, urban centres. In fact, the many annual Nat Festivals are still well-attended – and it is easy to see why rural people would want some surety in their uncertain and labour-intensive days.

To the Future (text)It’s a hard life. I hope the Nats can help people make the necessary transitions into the modern world.

‘Till next time.

Pictures:19September2012

  • maureen mcgettigan - December 12, 2014 - 1:59 am

    You nailed the story about the nats, Ursula – great photos & very informativeReplyCancel

    • Ursula - December 12, 2014 - 3:23 am

      Thanks so much, Maureen and Karl.
      The people in these wonderful places make photography such a delight, don’t they?
      Happy Holidays!ReplyCancel

  • karl grobl - December 12, 2014 - 2:03 am

    Wonderful, wonderful, wonderful! Great job Ursula!ReplyCancel

  • Dietmut - December 14, 2014 - 4:39 pm

    Nice report Ursula. Bagan a beautiful place, to see so much.
    Warm greetings, DietmutReplyCancel

    • Ursula - December 15, 2014 - 12:33 am

      Thanks, Dietmut!
      Wonderful place, isn’t it? I loved every minute there. 😀ReplyCancel

  • Tiffany Wheeler - August 15, 2019 - 10:17 am

    I can’t find info on how or who built it.ReplyCancel

    • Ursula - August 15, 2019 - 12:06 pm

      I’m not sure of the date, but it’s old! One legend goes back to the 6th century B.C, and Maung Tint Dai, a blacksmith in the Tagaung Kingdom.ReplyCancel

Yellow Flowers in the Sandy foreshore, Beachport SA AU

Simple Treasures
Yellow treasure flowers (Gazania rigens) bring cheery brightness into any day; they might be native to Africa, but they are perfectly at home in the sandy soils at the ocean’s edge in South Australia.

It is easy to hit over-load while travelling: too many wonderful sights, engaging activities, interesting people, and novel tastes and smells… This can be especially the case after spending time in an environment so sublime that it transports you, producing a nature-induced “peak experience”.

We had just driven the length of Australia’s Great Ocean Road, a drive through scenery so magnificent that it rates its own UNESCO World Heritage listing. Anything after that was bound to be anti-climactic!

But, we still had 620-720 kilometres – depending on the route we chose – to drive to Adelaide. So, with some trip-notes printed from the internet in hand, we took a deep breath, left the Great Ocean Road behind us, and pointed the car northwest.

Waterfront: turquoise waters, black rocks with red rust, Port Fairy, VIC

South Beach and Pea Soup Cove, Port Fairy
The Great Ocean Road slipped away with no fanfare; by the time we reached the charming seaside town of Port Fairy, it was already half an hour behind us. Our first brief stop was for a breath of salt air overlooking the pounding turquoise waters.

Seagull against the surf, Port Fairy

Seagull, Port Fairy
It was late afternoon, with a tearing wind, as we watched the gulls swoop on the drafts.

Windmills on the skyline in a golden rural landscape, VIC

Windmills
I couldn’t resist an iPhone snap out the window as we headed northwest across a golden rural landscape, replete with windmills. (iPhone 4S)

View into the Umpherston Sinkhole, Mt Gambier SA

The Umpherston Sinkhole
Early next morning in Mount Gambier, South Australia’s second largest city, we took the time to explore some of the local attractions. Sitting on the side of the volcano of the same name, Mount Gambier boasts craters, sinkholes and caves. This one, the Umpherston Sinkhole, is a collapsed limestone cave that was first landscaped and planted by James Umpherston in 1886.

Long needles of a Casuarina against a blue sky, Mt Gambier SA

Sheoak (Casuarina) Overhead
The sinkhole garden is planted in layers, with trees overhead…

Young Grape Leaf, The Umpherston Sinkhole, Mt Gambier

Young Grape Leaf
… foliage and flowers around the upper rim…

Ivy, The Umpherston Sinkhole, Mt Gambier SA

Ivy
… and thick curtains of ivy tumbling down the sides.

View into the Umpherston Sinkhole, Mt Gambier SA

The Umpherston Sinkhole
The shadowed gardens at the bottom of the sinkhole include a fountain, slow-growing tree-ferns and colourful hydrangeas.

Blue Lake, Mt Gambier SA

Blue Lake
One of Mount Gambier’s most popular attractions is Blue Lake, the extinct crater, filled with high-quality artesian drinking water. We were lucky: the colour of the lake changes with the seasons, being a steel grey in winter. Sometime in early November each year, it changes – almost overnight – to the spectacular cobalt blue we were treated to. Late February the colour gradually returns to its winter grey.

Signboard about Waawor - Blue Lake, Mt Gambier SA

“Waawor”
The 3.6 kilometre walking circuit around Blue LakeWaawor in the indigenous Boandik language – includes information signs and viewing points.

Blue Lake, Mt Gambier SA

Blue Lake
Not yet noon, the day was already crackling with heat. Some of the foliage around the lake was clearly suffering from the recent dearth of rainfall and unusually high temperatures. The city of Mount Gambier can just be seen on the horizon.

Bee on a Purple Flower, Mt Gambier SA

Purple Flower
The hot, dry air hummed with insects and birdsong.

Yellow Flowers on a native Tree, Mt Gambier SA

Flowering Trees
The hot air was also filled with the delicate scents of the native blooms.

Cactus Garden with white flowersJohn Watson Dr, Mt Gambier

Cactus Garden
A local group of cactus enthusiasts maintain a fenced and gated private garden of large cacti.

Rook Wall and Lookout, Mt Gambier SA

Rook Wall and Lookout
At the tail end of WWI, the Mount Gambier District Progress Association came up with a plan to do something for the town. Thanks to 1100 local volunteers (800 men and 300 women), in only one day the dolomite and limestone wall and lookout were predominantly finished. The feature was named for Mr. Arthur Rook, local publican and chair of the planning committee, who died prematurely from the Spanish flu in 1919.

The Pumping Station, Riddoch Hwy, Mt Gambier SA

The Pumping Station
The old Pumping Station, built from cream and pink dolomite in 1884, and extended in 1909, nestles across the Riddoch Highway from the Rook Wall.

Curving empty Beach - Beachport Surf Beach SA

Beachport Surf Beach
Our next stop was just east of the coastal town of Beachport to marvel at the colours and the expanse of empty beach.

Expanse of Beach - Beachport Surf Beach SA

Beachport Surf Beach
The surf beach, stretching in both directions, was almost deserted.

Looking up Beachport Jetty, South Australia

Beachport Jetty
Beachport is widely known for the long Beachport jetty; a steel screw pile jetty built between 1878-1882.

Beachport Jetty and stone breakwater, South Australia

The Jetty
Originally 1220 meters long, the jetty still extends 772 meters into Rivoli Bay, making it visible on the horizon, even from a distance.

Small cairn commemorating Beachport

Whaling Monument
On the north side of Beachport is a cairn commemorating the area’s first white settlement: a whaling station established here in 1843.

Echidna on a roadway, South Australia

Echidna
As we continued along the Southern Ports Highway, we had to stop the car to let a spiny anteater waddle across the road. I was prevented from taking a great shot by: 1) the speed at which the little creature moved, and 2) the searing heat of the pavement on my bare feet!

Customs House, Robe SA

Customs House, Robe
The coastal town of Robe was declared an official port in 1847, shipping wool and receiving boatloads of Chinese immigrants heading to the Victorian goldfields. The Customs House was built in 1863 and was managed for many years by pioneering shipping agent George Omerod.

Sunflare over the salt flats, Coorong National Park South Australia

The Coorong
Our last, late afternoon stop before hitting the highways into Adelaide, was overlooking The Coorong: a string of saltwater lagoons at the mouth of the River Murray. Shielded from the Southern Ocean by the Younghusband Peninsula, the area has international importance as a wetland, as well as deep cultural significance to the local Ngarrindjeri people. It was hot – breathtakingly hot – and the brackish smell that spoke of salt-water organisms dying, was overwhelming.

Text: Happy TravelsWe could have spent days at each of our brief stops. What a fascinating, beautiful stretch of road, rich in scenery and history.

One day, we’ll be back – with the time to explore properly!

Until then,

Happy Travels!

Pictures: 04-05February2014

Sumatran School Girl, Crocodile Farm, Asam Kumbang, North Sumatra, Indonesia

Sumatran School Child
A group of school children were on an excursion to the crocodile farm at Asam Kumbang near Medan, where we made our first road stop of the day.

Some time ago – last April, to be exact – I wrote about the breathtakingly awesome experience of meeting Sumatran orangutans in their wild jungle habitat (Ursula’s Weekly Wanders: Meet the Locals). Truly, it was a memorable encounter – one not easily matched.

It was hard to leave the Gunung Leuser National Park, but our itinerary called for us to move on. And, much of the overall impression of any trip comes from the smaller things: the insights into day-to-day life, the “ordinary” landscapes, and the people you meet along the way, as you travel from one place to another (q.v. Ursula’s Weekly Wanders: Medan to Bukit Lawang).

We were driven by car from Bukit Lawang back to Medan, and then on to Berastagi in the foothills of the Barisan Mountains: three hours according to Google Maps; closer to twice that according to my trip notes.

Crocodile in a concrete cage, Crocodile Farm, Asam Kumbang, North Sumatra, Indonesia

Taman Buaya: Crocodile Farm
Our first road stop was at Indonesia’s largest private crocodile farm near Medan. The crocodiles bred here can not be exported or sold, so the owner must feed them from the entrance fee. This probably accounts for the crowded and run-down nature of the place.

Sumatran School Girl, Crocodile Farm, Asam Kumbang, North Sumatra, Indonesia

Sumatran School Children
A couple of classes of school children were at the “farm” when we visited. With her pen and notebook in hand, a schoolgirl climbs up on a vantage point to better see the crocodiles in the swamp.

Sumatran School Girl, Crocodile Farm, Asam Kumbang, North Sumatra, Indonesia

Schoolgirls
Her smiling friends below wait their turns to climb up to the fence.

Crocodile in the Swamp, Asam Kumbang, North Sumatra, Indonesia

Crocodiles in the Swamp
In the swamp, the crocodiles are almost invisible, …

Crocodile in the Swamp, Asam Kumbang, North Sumatra, Indonesia

Crocodiles in the Swamp
… hidden by the algae until they lift their heads.

Sumatran School Girl, Crocodile Farm, Asam Kumbang, North Sumatra, Indonesia

Sumatran School Girl
A young girl sits in front of the fence around the swamp.

Sumatran School Girls, Crocodile Farm, Asam Kumbang, North Sumatra, Indonesia

School Children at Lunch
More girls, in their school uniforms, sit in some shade eating their lunch.

Sumatran Boys at Lunch, Crocodile Farm, Asam Kumbang, North Sumatra, Indonesia

School Boys at Lunch
In another corner of the hot, concrete yard, the boys find a patch of shade for their break.

Sumatran Baby in a Medan home, North Sumatra, Indonesia

Sumatran Baby
After the crocodile farm, we drove back to Medan, where we took our coffee break in the home of our local guide, …

North Sumatran Baby and Dad, in a Medan home, North Sumatra, Indonesia

North Sumatran Baby and Dad
… and met his young son.

Santa Maria Annai Velanghanni, Medan, North Sumatra

Santa Maria Annai Velanghanni
Our next stop was at Santa Maria Annai Velanghanni. Built in 2005 in Indo-Mogul style, this extraordinary building is a Catholic temple.

anta Maria Annai Velanghanni, Medan, North Sumatra

“Our Lady of Good Health”
The shrine is a devotion to Mary, who was said to have appeared in the 17th century in Velanghanni, Tamil Nadu.

Bats in a cage, North Sumatra, Indonesia

Medicinal Bats?
We then stopped briefly at the side of the road where bats were being kept – reputedly as medicine for asthma.

A Sumatran woman sitting on the floor with Cinnamon bark, North Sumatra

Woman with Cinnamon Bark
Our last stop was at a mixed small farm holding, where cinnamon, from the bark of the cinnamomum burmannii tree, was one of the products being harvested.

A Sumatran woman sitting on the floor with Cinnamon bark, North Sumatra

Shaving Cinnamon
An inherently sustainable crop, cinnamon trees grow easily, …

A Sumatran woman sitting on the floor with Cinnamon bark, North Sumatra

Shaving Cinnamon
…albeit slowly, and can be intercropped with other plants.

Young Coffee pods on a branch, North Sumatra

Young Coffee
North Sumatra has the perfect soil for Arabica coffee. Most of it, too, is grown by smallholders.

Cocoa pods on a branch, North Sumatra

Cocoa for the Picking
One of Indonesia’s most important agricultural export crops: cocoa, is another product predominantly grown by smallholder farmers.

Dried Cocoa pod on the ground, North Sumatra, Indonesia

Dried Cocoa
With rumours of an impending shortage, cocoa is a lucrative crop.

Broken Cocoa pod on the ground, North Sumatra, Indonesia

Spilt Cocoa
Ironically, the government’s attempt to promote value-added processing industries by taxing the export of cocoa beans puts pressure on small growers.

Pineapple, North Sumatra, Indonesia

Pineapple
The beauty of cinnamon, coffee and cocoa – unlike the rubber and palm oil mono-plantations that are threatening the local orang-utan habitats – …

Green cassava leaves, North Sumatra, Indonesia

Cassava or Tapioca
… is that these basic food crops can be mixed in with cash-crops.

Text: Keep smilingCinnamon. Coffee. Cocoa.

Add some smiling children…

No orangutans, but still pretty special.

Keep smiling!

17February2014