Statue of Bruce Lee on the Avenue of Stars in Tsim Sha Tsui, Hong Kong

Bruce Lee
Hong Kong – American martial artist Bruce Lee was raised in Kowloon. Credited with changing the way Asians are portrayed in American films and considered one of the most influential martial artists of all time, Lee is a local hero and has a prominent statue on the Avenue of Stars in Tsim Sha Tsui. (11March2011)

Hong Kong has to be one of my favourite cities. The harbour, the skyline, the street markets, the parks, the culture, the shopping…

Exotic and “oriental” while having all the familiar comforts of a large cosmopolitan city, Hong Kong buzzes with excitement, oozes with money, and, at the same time, feels accessible and safe.

This sense of safety is important, as every time I’ve visited the Hong Kong area, I have spent considerable time wandering the streets alone while my husband is in meetings somewhere-or-other.

On my last visit, we stayed on the Kowloon side of the beautiful Victoria Harbour, in Tsim Sha Tsui (TST). Billed as a “giant world bazaar”, the district is a major tourist hub, with international hotels, shops and restaurants. But, it is also home to many galleries, museums, and beautiful outdoor areas, including the Tsim Sha Tsui Promenade along the harbour. We were just across the road from the Hong Kong Museum of Art (closed from 3 August 2015 for approximately three years for renovations), where I was able to amble around the sculptures in the forecourt.

Tsim Sha Tsui Street, Kowloon, Hong Kong

Tsim Sha Tsui Street
The streets around the southern end of Kowloon are busy, but orderly. English sign-posting in central tourist areas makes navigation reasonably easy.

Hong Kong Taxi, Tsim Sha Tsui Street, Kowloon

Hong Kong Taxi
Cabs are easy to come by, and regulated – so there is no haggling over fares.

Dinosaur, Hong Kong Science Museum forecourt, TST, Kowloon

Daxiatitan Binglingi
I took myself to a photographic exhibition (No pictures allowed!) at the Hong Kong Museum of History. The neighbouring Science Museum was still playing host to “Legends of the Giant Dinosaurs”, so various animatronics graced the courtyard.

Portrait of a female Security Guard, Hong Kong Museum of History, TST, Kowloon

Security Guard
The dinosaurs had attracted crowds of families; the entry area to Hong Kong Museum of History was much quieter!

Orchid Flower in a bauhinia × blakeana tree

Orchid Flower
Bauhinia × blakeana, commonly called the Hong Kong Orchid Tree is the floral emblem of Hong Kong and blooms all over the city – including in front of the Hong Kong Heritage Museum

Bruce Lee Hong Kong Heritage Museum

Bruce Lee
… where another statue of Bruce Lee welcomes visitors to the “Bruce Lee: Kung Fu ‧ Art ‧ Life” exhibition which examines his cultural influence, as well as his martial arts and film legacy.

Bird in Frangipani tree, Kowloon, Hong Kong

Bird in the Frangipani
There are green places all over the city. Back near the waterfront, the birds are noisy in the gardens. I think this is a Yellow Wagtail.

Water drop (Heaven) by Danny Lee, TST Hong Kong

“Waterdrop”
Representing “Heaven”, this sculpture by local artist Danny Lee is part of the first-ever outdoor exhibition in the Art Square in the the Salisbury Garden.

Big Apple sculpture (Earth) by Kum Chi-Keung

“Big Apple”
This giant green apple by Hong Kong artist Kum Chi-Keung is the “Earth” part of the “Heaven, Earth and Man – A Hong Kong Art Exhibition” concept.

Happy Folks II (Man) by Rosanna Li Wei-han

Happy Folks II
Leading Hong Kong ceramic artist, Rosanna Li Wei-Han, was chosen to depict “Man”. Two groupings of her plump and fleshy figurines took their space in the Art Square. (iPhone4S)

Ju Ming sculptured figures Parachuting over the Hong Kong Museum of Art TST

Parachutes
The “Ju Ming – Sculpting the Living World” exhibition overlapped with the “Heaven, Earth and Man” exhibition.

Blocky Ju Ming sculpture of Children balancing on a Wall, Hong Kong Museum of Art TST

Ju Ming – Children on a Wall
Charming, blocky pieces by the renowned Taiwanese sculptor were all around the Hong Kong Museum of Art. (iPhone4S)

Ju Ming

Ju Ming – Resting
The pieces seem to invite “audience participation” …

Ju Ming

Ju Ming – Lining Up
… as young and old work their way around the sculpted figures…

Ju Ming

Ju Ming – Umbrellas
… and have their pictures taken with them. This was the Taiwanese artist’s first large-scale solo exhibition in Hong Kong.

Hong Kong Waterfront under cloud from TST, Kowloon

Hong Kong Waterfront
Low clouds rolls in over Hong Kong on the other side of Victoria Harbour. I’m sure it is not always overcast in Hong Kong – but it always is when I visit! (iPhone4S)

Young Couple watching a large pink paddle boat, Victoria Harbour, Hong Kong

Young Couple
A young couple on a day out watch the boats on Victoria Harbour

Young Couple on Victoria Harbour, Hong Kong

Young Couple on Victoria Harbour
… then check the photos they have taken.

Hong Kong Film Awards statue against a cloudy sky, Avenue of Stars, TSM Hong Kong

Hong Kong Film Awards
For a long time, Hong Kong had the third-largest motion picture industry in the world, and it still has a distinctive and prominent place in international cinema. The Avenue of Stars along the harbour front celebrates the industry. This 4.5 meter tall statue of Film Awards trophy stands at the entrance.

Statue of a Lighting Man, Avenue of Stars in Tsim Sha Tsui, Hong Kong

Lighting Man
Bronze lights, cameras, and actors line the waterfront …

Young boy putting his hands on the Handprints, Avenue of Stars in Tsim Sha Tsui, Hong Kong

Handprints
… while visitors look for the handprints of their favourite Hong-Kong cinema stars. (11March2011)

Jackie Chan

Jackie Chan’s Star
Another local hero is actor, martial artist, film director, producer, stuntman, and singer: Jackie Chan. I admit it: I did try the hands on for size! 😀 (11March2011)

Text: Keep smilingHong Kong is always a pleasure; the sculptures made it a real joy.

Until next time,

Keep smiling!

Pictures: 11March2011 and 30March2014

A Dragon

Boat on the Bay
A Dragon’s Pearl junk rests at anchor with the batten sails up on Bai Tu Long Bay, North Vietnam.

One of the nicest things about going to sleep on the water is waking up on it.

I love waking up on a boat, well away from ‘civilisation’ in the middle of ‘nowhere’ – provided there is coffee!

It was the morning of our second day on a beautifully fitted-out oak- and teak-finished Chinese-style junk, anchored on the waters of Bái Tử Long Bay, just northeast of Hạ Long Bay in North Vietnam. The staff were already up, so fragrant Vietnamese coffee was ready for me as I made my way – wrapped in a wooden blanket against the winter chill – up to the top deck to watch the sea eagles soar over our heads. The boat swung gently on its rode, so that we had a slowly changing view of the karst mountains rising up around us.

Join me for a magical day on these UNESCO-listed waters.

Bai Tu Long Bay, near Cap La Island, Vietnam

Quiet Waters off Cap La Island
We weren’t the only tourists anchored in the bay, but the other boats were far enough away that their presence didn’t disrupt the morning peace. Apparently, there is a new government regulation that all boats cruising the Halong Bay area must be white; gone are the brown and red junks of the past.

Sea Eagle against a grey sky, Bai Tu Long Bay, Vietnam

Sea Eagle
It’s times like this I wish I had one of those massive wild-life lenses… Even with a lot of cropping, my 70-200mm is no match for the magnificent sea eagles flying loops high over our heads in the hazy morning sky.

Tables on a boat deck, set with white cloths, Dragon Pearl, Bai Tu Long Bay Vietnam

Dragon Pearl 1
Can you imagine a more perfect place for breakfast? All of the meals included in our package were superb: fresh and beautifully presented.

Red kayaks on green waters, Cong Dam, Bái Tử Long Bay, Vietnam.

Kayaks at the Ready
Our time on the boat is well ‘managed’; not long after breakfast, our boat has cruised from Cong Do to Cong Dam. Our tender has gone to a local village and returned with red kayaks that contrast with the dark green waters .

Red kayaks on Bai Tu Long Bay, near Cap La Island, Vietnam

Kayaks
We climb into the kayaks and set out on the waters …

Red kayak on Bai Tu Long Bay, Cong Dam, Vietnam

Lead Kayak (iPhone6)
… following our guide past towering karst cliffs…

Kayaks in a cave on Bai Tu Long Bay, Cong Dam, Vietnam

Kayaks in the Caves (iPhone6)
… and into one of the many pitch-black caves in the limestone.

Rock formation, Cong Dam, Bai Tu Long Bay, Vietnam

Limestone Karst Formations
Roughly 20 million years of geological upheaval combined with the effects of erosion have carved out a landscape of caves and hollows and jagged shapes. Happily, the waters here seem cleaner than where we have been kayaking the day before (see: Spring Rolls and Winter Weather).

Cong Dam Fishing VillageBai Tu Long Bay, Vietnam

Cong Dam Fishing Village
We kayaked past some of the boats and floating houses that are part of Cong Dam, a small fishing village comprising around 120 people. According to our guide, these families used to live in the caves that riddle the islands, but they were moved into villages when Bái Tử Long was established as a National Park in 2001.

Skeleton of a wooden boat, Cong Dam, Vietnam

Boat Skeleton

Cliffs, Bái Tử Long Bay Vietnam

Limestone Karst
We and our companions are dwarfed by the landscape around us as we head back to our boat.

Local people in low, wooden fishing boats, Bai Tu Long Bay, Vietnam

Fishing Boats
As we cruise away from Cong Dam, the sea-haze settles in around us and the horizon almost disappears.

Local people in low, wooden fishing boats, Bai Tu Long Bay, Vietnam

Fisher People
We watch the local fisher people go about their daily business.

Woman rowing a small wooden boat, Bai Tu Long Bay, Vietnam

Fisher Woman in a Rowboat

Karst Islands, Bai Tu Long Bay, Vietnam

Karst Islands
In the afternoon haze, the colours change from one moment to the next.

Hazy sky with a sunburst over a karst island and a tourist boat, Bai Tu Long Bay, Vietnam

Boat on the Bay

Hon Co Island, Bai Tu Long Bay, Vietnam

Hon Co Island
It is late afternoon when we arrive at Hon Co Island.

Afternoon view from Hon Co Island, Bai Tu Long Bay, Vietnam

Sundown from Hon Co Island
We are tendered to the island, shown the steps up to the cave where we will later eat, and where we have wonderful afternoon views over the water.

Afternoon view from Hon Co Island, Bai Tu Long Bay, Vietnam

Sunset from Hon Co Island
We are told our tender will take us back to the boat to change for dinner at six pm, giving us just over an hour for more ‘swimming or relaxing’.

Silhouette of a dog at sunset, Hon Co Island, Bai Tu Long Bay, Vietnam

Dog on the Beach
Back down the steps from the cave, a dog keeps an eye on us while we watch the sun go down.

Vietnamese security guard at sunset, Hon Co Island, Bai Tu Long Bay, Vietnam

Mr Giang
Hon Co Island belongs to the Indochina Junk company. A family of care-takers lives on site.

On the Beach, Hon Co Island, Bai Tu Long Bay, Vietnam

On the Beach

Thien Canh Son Cave by candle-light, , Hon Co Island, Bai Tu Long Bay, Vietnam

Thien Canh Son Cave
Later, we return to the island, climb the 100-odd steps up to Thien Canh Son Cave, then descend into it, guided by burning tea-lights and welcomed by clapping staff. Candles and flower petals are everywhere.

Love Swans
The attention to detail is wonderful. Our chef presents us with a pair of ‘Love Swans’ carved from turnips for good luck and happiness. (iPhone6)

Dragon carved from marrow, Thien Canh Son Cave by candle-light, Bai Tu Long Bay, Vietnam

Dragon
The pièce de résistance is an elaborate dragon, carved from marrow. Dragons feature hugely in the folk-lore of this area.
(iPhone6)

According to legend, a family of dragons was sent by the gods to protect Vietnam from invaders. The dragons spat out jewels and jade which became a defensive wall of islands and islets in the bay. Once the danger had passed, the dragons settled in the waters. Hạ Long means ‘descending dragon’ and Bái Tử Long is where the dragon parted from her children when she ascended back to heaven..

Text: Safe SailingHeavenly, indeed.

With warmer weather, it would have been perfect!

Safe Sailing!

Pictures: 21February2016

 Dune 40, Namib-Naukluft Park, Namibia

Orange Sand
The sensual curves of Dune 40 in the Namib Desert flow over the gravel plains below: ever-changing in the light, ever-shifting in the winds.

It was another 4:00am wakeup call: we were expected to break camp before 5:00am so we could drive back into Namib-Naukluft National Park and catch the sunrise colours over the sand dunes near Sossusvlei. 

Sleep, as they say, is over rated.

We were aiming for Dune 40 – 40 kilometres past the Sesriem gates on the road to Sossusvlei, Namibia. Dune 45 is the more famous one, with a carpark sitting right at its base, but Dune 40 was less likely to be crowded with tourists climbing to the top before the sun came up.

The Namibian dunes are like living things: with a still, enduring character, but with a personality that changes with every flick of the wind or shift of the light. They tell a long, long story of time and flow; of millions of years spent growing and flowing – one spec of sand at a time.

The Namib Desert stretches its gravel plains 200 km (124 mi) from a high inland plateau in the east to meet the Atlantic Ocean. Winds from the ocean bring fog – the desert gets more of its moisture from fog than it does from the very sporadic rainfall – and sand. Over the eons, this sand has formed into towering sand dunes which are the among the highest in the world. Their colour is a sign of their great age: as the iron in the sand oxidises, it turns burnt orange, like rusty metal. The older the dune, the more concentrated the colour.

I was travelling in a small group with photographer Ben McRaePedro Ferrão Patrício from Photoburst, and Namibian guide Morne Griffiths; we were chasing the light on the waves of sand, and following them to the waves of the Atlantic Ocean.

Blue and pink skies over desert dunes in Namib Desert, Namib-Naukluft Park, Namibia

Pre Dawn in the Dunes
Before the sun was fully up, our truck was parked at the side of the road and we were crossing the hard, flat ground towards the still-dark dunes on the horizon with our tripods in tow.

Photographers on the flat ground in front of Dune 40, Namib-Naukluft Park, Namibia

Photographers at Dune 40
By the time the sky lightens, photographers are dotted all around the grounds.

Sun Rising on Dune 40, Namib-Naukluft Park, Namibia

Sun Rising on Dune 40
The sky remained uncharacteristically overcast and hazy, so the colours on the sands were muted and subtle.

Long Shadows over the Dunes, Namib-Naukluft Park, Namibia

Bold Shadows
The morning light slants acutely across the dunes, filling the dips in the sand with shadow.

Light and Shadows over the Dunes, Namib-Naukluft Park, Namibia

Light over the Dunes
There were moments when the sun broke through the high cloud and set the the sand and shrubs alight.

Dune 40, Namib-Naukluft Park, Namibia

Dune 40 Up Close

camel thorn trees (vachellia erioloba) on Dune 40camel thorn trees (vachellia erioloba)

Trees on the Edge
It’s hard to believe anything can grow in the dunes, but the odd camel thorn trees (vachellia erioloba) seem to manage.

camel thorn trees (vachellia erioloba) on Dune 40, Namib-Naukluft Park, Namibia

Sweeps and Curves

Camel thorn tree on the dunes, , Namib-Naukluft Park, Namibia

Trees on the Dunes

Ostrich (Struthio Camelus), Namib-Naukluft Park, Namibia

Ostrich (Struthio Camelus)

Dusty mountains, Namib-Naukluft National Park

Namib-Naukluft National Park
The mountains rise up in the distance as we drive back out of the National Park.

Old gas pumps, Solitaire Namibia

Old Pumps
We stopped in Solitaire, a small settlement near the entrance to the park. (iPhone6)

Old Car, Solitaire, Namibia

Old Car
In the sandy centre of the settlement – decorated by cactus and old cars – the gas station, post office, and general store service the crossroads. The bakery, with it’s good German heritage, cooks up the best apple strudel I’ve had in a very long time. (iPhone6)

Cape Glossy Starling (Lamprotornis Nitens), Solitaire, Namibia

Cape Glossy Starling (Lamprotornis Nitens)
Birds gather outside the restaurant, hoping for crumbs.

Dry Bush at the top of Carp Cliff, Namib-Naukluft National Park

Rock and Bush
Following another gravel road, the C14 northwest of Solitaire, we crossed the dry Kuiseb River bed and climbed the mountain on the other side. We stopped at the Carp Cliff Viewpoint overlooking the Kuiseb Canyon and climbed the rest of the rocky knoll on foot. It amazes me how vegetation can cling to the exposed cliff-top.

A pile of limestone at the top of Carp Cliff, Namib-Naukluft National Park

Limestone Pile on Carp Cliff
The upheaval of time has left limestone slabs slanting sideways out of the ground …

Rocks of marble at the top of Carp Cliff, Namib-Naukluft National Park

Marble Steps
… while harder rocks like quartz and marble sit  like stepping stones on the windswept cliff.

Ground Agama (Agama aculeate), Carp Cliff, Namibia

Ground Agama (Agama Aculeate)
This little lizard – I think it’s a ground agama – was almost invisible against the background litter.

Small dunes at the side of the road, Walvis Bay, Namibia

Baby Dunes
As we get close to the Atlantic Ocean and the coastal city of Walvis Bay, we can see “baby dunes” all around us. The dominant winds here are from the south-west, and strong enough to carry sand and even small pebbles. As a consequence, the dunes are constantly growing and shifting. (iPhone6)

Architecturally designed home, Walvis Bay, Namibia

Walvis Bay Home
The wide streets into the city are lined with neatly landscaped, architecturally designed, homes. (iPhone6)

Low-Cost Housing outside Wallis Bay, Namibia

Low-Cost Housing
They are a stark contrast to the rows of tiny, low-cost houses on the other side of Walvis Bay. (iPhone6)

Flamingos on Walvis Bay, Namibia

Flamingos on Walvis Bay
The ocean outside the peninsula of Pelican Point near Walvis Bay is renowned to surfers for its waves, but it is the flamingos that draw people to the inner bay.

Flamingo and Skyline

Flamingos on the Bay
Flocks of lesser and greater flamingos gather here to feed. To be honest, I can’t tell them apart; …

Flamingo and Skyline, Walvis Bay, Namibia

Flamingo and Skyline
… I just love how they catch the light, and how their leggy stance mirrors the industrial cranes behind them.

Pied Avocet on Walvis Bay, Namibia

Pied Avocet (Recurvirostra Avosetta)
Flamingos aren’t the only bird who feed here: avocets are among the water birds who winter in the southern parts of Africa.

Hohenzollernhaus, Swakopmund Namibia

Hohenzollernhaus
The coastal city of Swakopmund (“Mouth of the Swakop”) is rich with the neo-baroque architecture of its German colonial heritage. (iPhone6)

Holiday house, Henries Bay Namibia

Holiday Haven
Just 70 km north of Swakopmund, the holiday settlement and fisherman’s haven of Henties Bay has a much more casual feel. (iPhone6)

The Zeila, The Skeleton Coast, Namibia

The Skeleton Coast
Our last stop on the Atlantic was the Skeleton Coast, north of the Swakop River. Originally named for the whale and seal bones that scattered the area in the days of whaling, this stretch of water is also home to over a thousand ships which have come to grief because of hidden reefs and sand dunes, strong crosscurrents, heavy swells and dense fogs.

The Zeila, The Skeleton Coast, Namibia

The Zeila
We were there to photograph the most recent wreck: the Zeila, a fishing boat that was stranded on August 25th, 2008.

The Zeila, The Skeleton Coast, Namibia

Cormorants Roosting
This wreck has long since been stripped of any useful metal, and now serves as a resting place for cormorants.

Text: Take only Pictures

After spending time with the winds and the waves on the Atlantic Coast, we turned back into the desert, this time to the northerly part, with its clear skies (see: A Sky Full of Stars) and dramatic rocky outcrops (see: Morning over Spitzkoppe), leaving the ocean and the sand dunes behind us.

Until next time,

Happy Travels!

Photos: 12-13August2015

Aboriginal man dancing the dreamtime goanna, Excelsior Dance Troup, Boomerang, Byron Bay Bluesfest 2016 AU

Dreamtime Goanna
In Australian Aboriginal Dreamtime stories, totem animals are central. These spiritual animals – like the goanna depicted here by a member of the Excelsior Dance Troupe – are often represented in music, art, and dance.

Australia is home to the world’s oldest living culture.

Indigenous Aboriginal and Torres Strait Islander cultures are complex and diverse, dating back at least 50,000 years. As distinctive as these groups are from each other and from other indigenous populations around the world, they share a number of issues related to maintaining cultural traditions in a modern, changing world. Many of these struggles have related to land rights and self-determination in the face of the arrival of a more dominant group.

According the the Australian government: “… Indigenous communities keep their cultural heritage alive by passing their knowledge, arts, rituals and performances from one generation to another, speaking and teaching languages, protecting cultural materials, sacred and significant sites, and objects.”

In practice, keeping traditions alive and relevant, especially in urban communities, is much more difficult than the official line makes it sound. So, community leaders can learn a lot from each other in forums that allow for the exchange of ideas between aboriginal groups from around the world. This is why cross-cultural festivals, like Boomerang, are so important.

Boomerang, “a New World Indigenous Festival for all Australians”, seeks to provide a space for indigenous artists, thinkers and activists to get together to celebrate culture and share ideas. First held in 2013, the inaugural festival attracted over 5000 attendees who “engaged with the music, art, dance, painting, film, discussion and cultural exchanges of our first nation people from around the world.”  It was meant to be an annual event, and we had tickets to attend in 2015, but it lost funding and was cancelled that year.

So, I was excited to hear that – thanks to the collaboration between friends Rhoda Roberts (Director: Boomerang Festival) and Peter Noble (Director: Bluesfest Byron Bay) –Boomerang was to share time and space with  Bluesfest Byron Bay 2016.

Two arakwal aboriginal men on stage, Boomerang, Byron Bay Bluesfest 2016 AU

Arakwal Opening Ceremony
Byron Bay (Cavenbah) has always been an important meeting place for the Arakwal, neighbouring clans who’s ancestors have lived in the Byron Bay area for at least 22,000 years. As part of Bluesfest 2016, Arakwal dancers, musicians and storytellers introduce the broader audience to some local stories.

Arakwal aboriginal women dancing on stage, Boomerang, Byron Bay Bluesfest 2016 AU

Arakwal Women Dancing
The Arakwal clan totem is Kabul, the carpet snake, and the women’s totem is the dolphin: both of which can be seen represented in the women’s patterned tights.

East Journey Under Lights, Boomerang, Byron Bay Bluesfest 2016 AU

East Journey Under Lights
Bridging Aboriginal culture and more modern music, East Journey, from Arnhem Land in the vast wilderness that is the northeast corner of Australia, combine tradition Aboriginal sounds with rock and reggae.

Stage Portrait: Emma Donovan, Boomerang, Byron Bay Bluesfest 2016 AU

Emma Donovan
Indigenous singer-songwriter Emma Donovan comes from a rich musical tradition: long before she was born, her mother, Agnes Donovan, sang for The Donovans, a band comprised of Agnes’ parents and five brothers. Emma’s uncles continued as the Donovan Brothers band, and she first sang in public with them at age seven. Her cousin, Casey Donovan, the youngest-ever winner of Australian Idol, is know to musical-theatre goers: we saw her recently as Killer Queen in the current run of “We Will Rock You”.
Emma has Naaguja, Yamatji, Danggali and Gumbaynggirr tribal heritage, often writing her songs of urban aboriginal life in the traditional language of the Gumbaynggirr.

Stage Portrait: Archie Roach, Boomerang, Byron Bay Bluesfest 2016 AU

Archie Roach
Archie Roach is one of the grand masters of Australian music. He met his future wife, lifelong partner and musical soulmate Ruby Hunter, when they were both homeless teenagers. Both were part of Australia’s infamous ‘Stolen Generation’, having been taken away from their families at an early age. These, and other experiences of being marginalised and living rough, informed their song-writing.
Ruby Hunter died of a heart attack in 2010, aged 54. Archie has survived lung cancer and a stroke to keep on telling the heart-rending stories of his people.

Rako Pasefika Dance Troup, Boomerang, Byron Bay Bluesfest 2016 AU

Rako Pasefika
Based in Rotuma, a volcanic island in Fiji, Rako Pasefika is a group of performers with backgrounds as diverse as the island itself. Their singing and dance styles, ukulele playing, log drumming, and traditional chanting draw from the whole region, including Cook Islands, Tahiti, Hawaii, Fiji, Tonga and Rotuma.

Portrait: Male dancer from Rako Pasefika, Boomerang, Byron Bay Bluesfest 2016 AU

Rako Pasefika
Rotuma is at the crossroads of the Micronesian, Melanesian and Polynesian cultures; Rako Pasefika features artists of indigenous Rotuman, Fijian and Pacific Island heritage.

Portrait: Male dancer from Rako Pasefika, Boomerang, Byron Bay Bluesfest 2016 AU

Rako Pasefika
“Rako” literally translates as “to learn” and the group embodies the organic process of Pacific learning through listening, experiencing, collaboration, and exchange.

Rako Pasefika Dance Troup, Boomerang, Byron Bay Bluesfest 2016 AU

Rako Pasefika
This collective of artists bring stories of their islands to life through song, music and dance. The recent devastation wrought by Tropical Cyclone Winston and the disastrous effects of climate change featured in their story-telling.

Rako Pasefika Dance Troup, Boomerang, Byron Bay Bluesfest 2016 AU

Rako Pasefika
As artisans of the Pacific, they also practice and teach traditional knowledge including bark cloth (Tapa/ Masi) printing, making coconut sinnet (Magi magi) and weaving. These skills are reflected in their costuming.

Jannawi Dancers, Boomerang, Byron Bay Bluesfest 2016 AU

Jannawi Dancers
Jannawi Dance Theatre is an inner-western Sydney-based company drawing on Aboriginal story-telling traditions as well as urban dance. Their current production showcases the “strength, resilience and beauty of young Aboriginal women.”

Excelsior Dance Troupe, Boomerang, Byron Bay Bluesfest 2016 AU

Excelsior Dance Troupe
An ensemble fusing modern dance with Indigenous dance, “eXcelsior” members are of Aboriginal and Torres Straight Island descent.

Tenzin Choegyal, Boomerang, Byron Bay Bluesfest 2016 AU

Tenzin Choegyal
Singer-songwriter Tenzin Choegyal creates original music which expresses his cultural heritage in the contemporary context. He opened his set with Safe Passage (which accompanies this post), a prayer-song based on the 8th Century classic text: The Tibetan Book of the Dead. This lament-like song prays for the consciousness to have a safe journey to the next world.

Tenzin Choegyal, Boomerang, Byron Bay Bluesfest 2016 AU

“Little Bird”
In his song, “Little Bird”, Tenzin asks a bird to carry a message of hope to his birthplace, Tibet. Born to a nomadic family, Tenzin escaped the Chinese occupation with his family in the early 1970s and grew up in a Tibetan refugee community in Dharamsala, India. He came to Australia in 1997, with little more than his lute-like Dranyen and his passion for communicating through music.

Rako Pasefika Dance Troup, Boomerang, Byron Bay Bluesfest 2016 AU

Rako Dancers
On the last day of the festival, I rejoined the Rako Pasifika to enjoy their enthusiasm, …

Rako Pasefika Dance Troup, Boomerang, Byron Bay Bluesfest 2016 AU

Rako Dancer
… their grace, …

Rako Pasefika Dance Troup, Boomerang, Byron Bay Bluesfest 2016 AU

Rako Dancers
… their power, …

Portrait: Female Rako Pasefika Dancer, Boomerang, Byron Bay Bluesfest 2016 AU

Rako Dancer
… and their beauty.

Rako Pasefika Dance Troup, Boomerang, Byron Bay Bluesfest 2016 AU

Rako Dancers and Musicians

Rako Dancer surrounded by audience participants, Boomerang, Byron Bay Bluesfest 2016 AU

Rako Dance Lesson
After they finished their performance, the musicians and dancers of Rako Pasifica invited the audience to learn one of the dances and it’s meaning.

Young girl dancing, , Boomerang, Byron Bay Bluesfest 2016 AU

Girls in the Middle
A lot of people gave it a try, but it was the joy on the young participants’ faces that gave me hope…

Young girls dancing in a crowd , Boomerang, Byron Bay Bluesfest 2016 AU

Girls Learning
… for it is activities like this that allow the ongoing learning and sharing of cultural traditions.

I have mixed feelings about how well the two festivals integrated: it was wonderful to see many top-notch Indigenous artists on the  Bluesfest main stages, and it was great to be able to drop in and out of Boomerang activities, but I can’t help wondering if the Boomerang performances were not overshadowed by the bigger names near by, and if the serious discussions that were part of the schedule were not made more difficult by the booming sounds of mainstream music. I also felt sorry for the dancers who continued in the pounding rains, while I – and many, many other festival-goers – crowded under the tent awnings to escape the elements.

Even so, I certainly took many good things away from what little I saw, and I hope the participants did also.

To the Future (text)

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“Music expresses that which cannot be said and on which it is impossible to be silent.”

– Victor Hugo

Pictures: 24-28March2016

Tullamore Dew Barrels, The Grand Canal, Tullamore Co Offaly Ireland

Tullamore Dew
The barrels are empty and the doors are closed – it’s a rainy afternoon in Tullamore, Co Offaly, Ireland.

It’s a small world, right?

We were at the Byron Bay Bluesfest (Back to the Roots) recently. On the Saturday, we walked into the Delta tent to hear the delightful celtic accent and the cheeky, cackling laughter of Irish Mythen, a singer-songwriter born and raised in County Wexford and now based in Canada’s tiny Prince Edward Island.

She was talking about her mother’s hometown of Tullamore in County Offaly in the middle of Ireland. I looked at my husband – yes, we’ve been there!

We were on our way to Dublin (The Guinness Storehouse), zig-zagging across the country from the Connemara (Glimpses of Galway), stopping at sites from the Michelin Guide that took my fancy along the way (Ireland).

On the day in question, we had spent the morning at the ruins of a centuries-old monastery (Clonmacnoise) and a lived-in castle (Birr Castle), and we were looking for the home of the world-famous Irish whiskey, Tullamore Dew, to round out the afternoon. Unfortunately, the distillery was closed – renovations or holidays; I can’t remember why – leaving us rather downcast.

Not as downcast as Mythen with her “Tullamore Blues”, mind you, but we did have to go back to the drawing board and the guide book! A quick check of the maps and the guide, and we pointed the car north again, driving to another maker of Irish whiskey, Locke’s Distillery in Kilbeggan, Co. Westmeath.

I’m sure it tasted just as good!

Locke

Locke’s Distillery Crystal
As well as producing world-class whiskey, Ireland is known for its crystal (eg.: Waterford). It is only fitting then that awards for excellence and commemorative glasses be made from local blown and carved lead glass.

Old Distillery Machinery, Kilbeggan Distillery, County Westmeath, Ireland

Old Distillery Machinery
The licence to distill whiskey here dates to 1757; the pot still distillery and machinery is over 250 years old. A self-guided tour takes visitors along heavy wooden walkways through the dark buildings and old machinery.

Steam Engine parts, Kilbeggan Distillery, County Westmeath, Ireland

Steam Engine
Power to the distillery used to come exclusively from an old water wheel; the steam engine was put into place in the 1880s for the occasions when water levels were too low, or the water wheel needed repair.

Old Distillery Machinery, Kilbeggan Distillery, County Westmeath, Ireland

Old Distillery Machinery

Drive Shaft, Kilbeggan Distillery, County Westmeath, Ireland

Drive Shaft
This old drive shaft turned all the machinery in the distillery. Until the 1880s when the steam engine was installed, the water wheel was its sole source of power.

Old Distillery Machinery, Kilbeggan Distillery, County Westmeath, Ireland

Old Distillery Machinery

The Surrounds of Kilbeggan Distillery, County Westmeath, Ireland

The Distillery Surrounds
Water – both as an ingredient, as a source of power- is essential to whiskey production. The Kilbeggan Distillery sits near the River Brosna and draws water from there.

Old Pot Still, Kilbeggan Distillery, County Westmeath, Ireland

Old Pot Still
Traditional Irish whiskey from Kilbeggan was made by the slow and costly single-pot still method.

Old Pot Still, Kilbeggan Distillery, County Westmeath, Ireland

Copper Pot Still
The copper stills were filled with barley mash and fires – originally fuelled by local turf, and later by imported coal – were lit underneath.

Old Pot Still, Kilbeggan Distillery, County Westmeath, Ireland

Copper Pot Still
Alcohol evaporates at a lower temperature than water, so with steady heat the alcohol condensed.

Outdoor view, Kilbeggan Distillery, County Westmeath, Ireland

Barrels
Although most Kilbeggan Whiskey is now produced at the Cooley Distillery in County Louth, there were plenty of barrels on site here.

 Old Wooden Staircase, Kilbeggan Distillery, County Westmeath, Ireland

Customs and Excise “Office”
By Irish law, every distillery must have a permanent “office” for when the Revenue Officer choses to visit.

Brewery workers outside old, dark buildings, , Kilbeggan Distillery, County Westmeath, Ireland

From the Inside
New buildings are set back from the old originals; workers are scattered around the site.

New Distillery Machinery, Kilbeggan Distillery, County Westmeath, Ireland

New Distillery Machinery
Cooley bought Kilbeggan and the associated brands in 1988 and installed a new copper pot still in 2007 to mark the 250th anniversary of the Old Kilbeggan Distillery.

Kilbeggan Casks, Kilbeggan Distillery, County Westmeath, Ireland

Kilbeggan Casks
All Irish whiskey must mature for a minimum of 3 years and 1 day, although many whiskies are much older. The oak casks are bought from US bourbon producers like Jack Daniels (A Shot of Jack).

Spirits Receiver Room, Kilbeggan Distillery, County Westmeath, Ireland

Spirits Receiver Room

Connemara Whiskey ad, Kilbeggan Distillery, County Westmeath, Ireland

The Gift Shop

Kilbeggan Delivery Van, Kilbeggan Distillery, County Westmeath, Ireland

Kilbeggan Delivery Van

Police Officer on a Kilbeggan street, County Westmeath, Ireland

Police Officer
The police were outside on the road when we returned to our car with the samples we had bought. What a good thing we hadn’t participated in a “tasting” while still on site!

A man polishing pewter goblets, Mullingar Bronze and Pewter, Co. Westmeath, Ireland

Polishing Pewter
If you are going to drink Irish whiskey, perhaps you need a traditional utensil to put it in: the next morning we continued north to Mullingar to visit the Bronze and Pewter Works.

Polished Pewter Goblets, Mullingar Bronze and Pewter, Co. Westmeath, Ireland

Polished Pewter Goblets

A man polishing pewter goblets, Mullingar Bronze and Pewter, Co. Westmeath, Ireland

Polishing Pewter
The pile of shavings left behind shows how much of the pewter gets wasted; I’m not sure if it can be re-used.

Packing Pewter

Packing Pewter
Paddy Collins revived the traditional craft of pewter making here in 1974, and his son Peter now runs the business. They ship product all over the world, keeping the small staff busy.

Polished Pewter Cups, Mullingar Bronze and Pewter, Co. Westmeath, Ireland

Traditional Celtic Design
The old designs and old methods are used – although modern pewter is entirely lead-free.

text: slainte - good health

Naturally we had to pick up a few pewter pieces to go with our Irish whiskey…

That will chase the blues away! 😉

Sláinte!

To your very good health!

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Photos:  04-05July2012